Architecture in and around Berlin

A surviving section of the customs wall; the lost gatehouses are a separate historical component.

Subsequently altered; the historic construction phase is identified separately.

The old cathedral was demolished in 1893. The present Berliner Dom was designed by Raschdorff and is not credited to Schinkel.

Rebuilt after wartime damage; later alterations are separate phases.

The date refers to installation; the design preceded it.

The historic building was demolished; protected foundations survive. A modern reconstruction or display structure is not an original Schinkel building.

Restored in 1963–65 following wartime damage.

The historic house was damaged in the war and demolished. Present buildings are separate works; historical and current street numbers must not be conflated.

The heritage register dates construction to 1824–30; its description extends the period to 1831. Construction and inauguration dates differ.

No longer survives. The heritage register explicitly identifies the building, but its precise former footprint within the park remains to be verified.

Replaced by the present steel bridge in 1906–07. The crossing lies partly in Berlin and partly in Potsdam; the Berlin connection is explicitly documented.

The Genius acroterion is by August Kiß. Schinkel’s own later grave is a derivative design, not counted here as a new work personally designed by him.

Initially designed for Prague; erected in Berlin after the transfer of the remains.

Executed by Stüler and Cantian while Schinkel was ill.

Moved within the park in 1938 when the road was widened.

The statue of Hope is by Bertel Thorvaldsen.

Remodeled by Richard Ermisch in 1935; the original group follows Schinkel’s design.

The original building of 1803–04 is not by Schinkel. The detailed heritage description dates his remodeling to 1824–25.

Ernst Petzholtz renewed the stable interior in 1872.

The heritage description mentions 1825, while its structured remodeling dates are 1826–27. The Renaissance arcade and gable addition date from 1847–48.

An architectural fountain composition; the sculptural contribution is credited separately.

The original church of 1712–16 was by Gerlach and Böhme. It was damaged in the war and subsequently restored.

A project involving supervision and architectural reuse, not an entirely new temple designed solely by Schinkel.

The present garden includes later changes. The granite bowl was made by Cantian, not Schinkel.

Replaced in 1881–82. The present bridge belongs to later phases; its steel structure is not Schinkel’s work.

The original building and interior are substantially Heinrich Gentz’s work. Albert Geyer’s later extension is a separate phase.

Raised and given a new base by Strack and Schwedler in 1875–78.

Historical location in today’s Besselpark. Later observatories at other sites are separate buildings.

Heinrich Tessenow redesigned the memorial interior in 1931, followed by later restorations. The present interior is not Schinkel’s original.

Warehouses, customs and administration buildings on today’s museum sites; the final building was demolished in 1938. This is not a Schinkel credit for the present museums.

Burned out in 1943; rebuilt in 1957–59, with interior reconstruction continuing until 1970. Now a museum.

Destroyed in the war and cleared. The surviving ministry complex includes later buildings by other architects.

The older palace was subsequently altered and demolished after wartime damage. The Schinkel phase does not include the present building.

Demolished in 1906 for the Hotel Adlon. A design drawing dates from 1829/30; the current Adlon is not Schinkel’s work.

Destroyed by fire in 1880; stone plinths mark its historical location.

Historical location at the western end of Leipziger Platz; the gatehouses no longer survive.

Damaged in the war and demolished; surviving archaeology and the present documentation center belong to separate historical phases.

Rebuilt as a concert hall in 1976–84; the present interiors are later adaptations.

Moved in 1934 from the demolished Weydingerhaus into the Palais am Festungsgraben. Schinkel did not design the whole palace.

Earlier interior alterations date from 1814. Later remodeling by Persius and others represents separate phases.

A remodeling of an older estate, not a wholly new complex. Later service buildings are separate works.

The sculptural groups of 1842–57 were executed by several sculptors, not carved by Schinkel.

The heritage register’s structured field names Schadow; its description identifies Schinkel as designer and Schadow as executing architect.

Schinkel supplied the initial design; the substantially revised building was executed by Carl Theodor Ottmer.

Damaged in the war and subsequently stabilized and restored; now used for cultural activities.

Stüler added the campanile and arcades in 1853. Later alterations and postwar reconstruction are separate phases.

Restored after wartime destruction; later additions require separate attribution.

Remodeled by Ernst August Petzholtz in 1862.

Later used as a military academy and destroyed in the war. This is distinct from Voigtel’s later school building in Charlottenburg.

High-voltage equipment factory: halls, multi-storey wings and administration.

Small-motor factory on the eastern part of Voltastraße.

Original northern hall; the southern extension is by Ernst Ziesel.

Entrance buildings; only part of the western gatehouse survives.

Architectural design of the additional storeys; the existing building was not wholly designed by Behrens.

Original turbine hall; the northern extension of 1939 is by Jacob Schallenberger and Paul Schmidt.

Office and commercial building, restored in 1952 after wartime damage.

Facade redesign and water tower; the original factory was designed by Johannes Kraaz in 1906–1907.

Office and commercial building, restored in 1952 after wartime damage.

Boathouse and club rooms for the Elektra rowing society.

Unbuilt competition proposal to redesign the square as a memorial to actors killed in the war.

Temporary exhibition kiosk for H. J. Wilm jewellers, separate from the earlier shop refurbishment on Jerusalemer Straße.

House for Theodor Wiegand.

Unbuilt department-store design at Friedrichstraße / Leipziger Straße.

Power station within the turbine factory, a separately documented building.

Three connected residential wings including garages on Eichenallee.

Motor factory for NAG, later used for television electronics production.

Street-facing block and courtyard wing of the new railway equipment factory.

Unbuilt memorial-conversion proposal. The original building is by Schinkel; the executed conversion of 1930–1931 is by Heinrich Tessenow.

Temporary pavilion for the German Building Exhibition, with Else Oppler-Legband; no longer extant. The removal date is not established.

Only the central house type on Zeppelinstraße is by Behrens; most of the executed estate is by Hamacher.

Station design; only the upper line and part of the planned lower hall were built.

Surviving station shell, never opened for passenger service; later used as an electrical substation and air-raid shelter.

Surviving housing estate, also known as Waldsiedlung Wuhlheide.

Two-family house for Kurt and Gertrud Lewin.